Pen Review: Wahl-Eversharp Decoband (Modern)

Material: Ebonite
Nib: 14k Gold
Appointments: Gold
Filling System: Pneumatic Filler
Length (Capped): 149.6mm
Length (Uncapped): 142.8mm
Length (Posted): 193.8mm
Section Diameter: 13.3mm
Barrel Max Diameter: 15mm
Cap Max Diameter: 18mm
Weight, Uncapped (with ink and/or converter): 44g
Weight, Capped (with ink and/or converter): 58g

Wahl-Eversharp was a much-liked American fountain pen brand that was created in 1916 from a merger of the Wahl Adding Machine company, and later, the Boston Fountain Pen Company. Wahl-Eversharp was one of the larger manufacturers of writing instruments in the US up through the 1940s but faltered with the advent of the ballpoint pen. The Parker Pen Company acquired the brand in the late 1950s and ceased production under that name.

In 2013, Syd Saperstein and Emmanuel Caltagirone re-released the brand under the Wahl-Eversharp name. Syd, a long time W-E collector (often known as “The Wahlnut”) had a deep understanding of what made W-E pens special, and so went about trying to recreate more than just the name, but rather, many of the design and aesthetic aspects of the pen. The new Wahl-Eversharp skyline is a near-exact duplicate of the original. And, at the DC Show in August, the new Wahl-Eversharp announced their newly released Decoband. (You can see an example of a vintage Decoband here.)


The 2015 Decoband, released by Wahl-Eversharp this December, is a massive pen. It belongs to W-E’s “Gold Seal Oversize” collection. Despite its size, however, it is proportionally identical to the original Decoband (meaning that, although the new pen is bigger, all the proportions of the new pen are equally scaled up from the proportions of the old pen.) The Decoband comes in three colors: Rosewood Ebonite, Black Ebonite, and Lapis Blue Marble Acrylic Resin. There is also a demonstrator version out there that was made for, well, demonstration purposes. It, however, is not publically available at this time. There were limited numbers of these created in the first run (I believe I remember the number 75 per color).


One of the other things that makes this reissue of the Decoband special is the nib that Syd and company decided to include on this new pen. W-E worked closely with their nib manufacturer to come up with a huge #8-sized nib that they are calling the “Superflex” nib. It’s 14k gold, for which a new alloy was developed to help replicate flex nibs on vintage pens. The face of the nib is also laser-etched to thin out the material and provide some extra line variation.


At the DC Show, I pre-ordered the Rosewood Decoband. It arrives in a massive piano-black lacquered case with the Wahl-Eversharp logo inlaid on the lid. Opening the case shows the pen, a brochure, and box of Wahl-Eversharp ink. The case it beautifully made…the kind of case you might want to leave sitting out on the desk. While I probably won’t use the case to store my pen, I may see if the interior lining is removable, because it is large enough to serve as a great place to store inks, sample vials, repair materials, or other pen-aphernalia.


The pen itself is stunning. The rosewood ebonite from which it is made is finely figured with delicate threads of red and black ripples that, from a distance, really do give the appearance of wood grain. The ebonite is polished to an absolute mirror finish. It’s one of the nicest polishes I’ve ever seen on an ebonite pen.

The cap of the pen is flat-topped with a thin finial of black ebonite and a thin gold ring. The Wahl-Eversharp gold seal is inlaid in the wall of the cap right above the (small for the pen’s size) roller clip. The clip is flexy, and attaches to the cap through a small slit cut in the cap’s wall. The cap tapers down slightly to three gold bands: two thin, and one wider band with a Greek key design etched into the surface.

The barrel of the pen keeps a cylindrical shape until it tapers slightly at the end toward another gold band and the pnuematic filler knob.


This is my first pneumatically-filled pens. To fill the pen, you unscrew the filler knob and pull out the knob to expose a metal sleeve. You insert the nib and a bit of the section in the ink, then cover the hole in the filler knob with your finger and push down. This action causes an increase of air pressure in the barrel of the pen, which compresses the ink sac inside. When you uncover the hole in the knob, the excess air pressure escapes, the compressed ink sac uncompresses, and the sac sucks ink up through the feed. I don’t have an exact measurement for the ink capacity, but Syd assured me that it can hold a fair bit. Considering how large the barrel of this pen is, I’m wouldn’t be surprised if the Decoband utilizes the largest possible ink sac made for fountain pens.


The cap unscrews from the barrel with 1.5 turns, and reveals gold metal threads, a black ebonite section, and the stunning “Superflex” nib. The metal threads of the barrel mesh with the ebonite threads of the cap smoothly, and with no resistance. This is not really a shirt-pocket pen, but I could see these threads being so smooth that the cap might come loose with a lot of jostling.

The chunky ebonite section is large, and tapers toward a lip at the bottom. The section terminates with one more very narrow gold band. It’s an exceptionally comfortable section in my hand.

As mentioned, the nib is huge. Aside from its larger overall profile, the tines feel long and narrow as one might expect for a flexible nib. The nib is stamped with “14K-585,” but the most impressive decoration is the laser engraving which removes surface material from the nib. Nib material is removed in such a way to leave behind a bas relief Wahl-Eversharp Seal, and the words “Wahl-Eversharp Superflex.” One of the other fun benefits of the laser etching is that the ink in the pen will occassionally settle and spread across the etched surface, making the gold of the nib look almost like colored, anodized aluminum. It’s a cool effect. I don’t know how easily that will clean off, but I have to suspect that the gold probably won’t stain.


On the underside of the massive nib is an equally massive ebonite feed: it’s bright red. The red is not the color of the ebonite, but rather, a coating of red urushi lacquer that is applied to the feed to help improve ink flow. It reminds me of the red sole on a pair of expensive Louboutins.

This pen just oozes refinement. The fit and finish of the pen from top to bottom is absolutely superb. The new Wahl-Eversharp has (wisely, in my opinion) decided to enter the market as a luxury brand, and put out top-of-the-line products. The attention to detail is evident. (It is always easier to start out as a high-end manufacturer and move downscale than it is to do the reverse.) Plus it shows that the founders of the modern Wahl-Eversharp are interested in helping to maintain the brand’s good name…all points in the plus column for me.

I do have a minor quibble with this pen, however: It’s really, really big. I know that they were trying to keep the dimensions proportional to the original, but it feels like they went just a touch overboard. Despite its monstrous size, this pen is incredibly comfortable in the hand. It is a heavy pen at 44 grams uncapped, but that extra heft ends up making the pen just snuggle down into my grip like it belongs there. Which, to be fair, it does! The section is a little too wide, but for some reason, the diameter doesn’t bother me as much as other sections of the same size have. I think the tapered quality of the section gives it better ergonomics compared to more cylindrical sections of pens like the Montblanc 149 or the Delta Dolcevita Oversize.

So, then we come to what most people are really interested in: does the “Superflex” nib live up to its name? For the most part, I am happy to report that it does. When not flexing, the nib is beautifully smooth, juicy, and with a lovely little bounce. It is, without question, the smoothest writing experience I’ve ever had with a flex nib. The nib slit, out of the box, was a touch wide toward the tip of the nib, which along with the nib’s wetness, resulted in a line a little too “medium” for my tastes. (I like my flex to have a nice, fine line when not flexing.) I did close up the tines just a touch. Even without that minor alteration, it behaved perfectly for me: no hard starts, no skipping, no ink starvation.


On flex writing, this is easily the best modern flex I’ve ever used. Wahl-Eversharp has almost solved the ink flow issues with flex nibs. I initially had some issues with railroading, but I realized that I was rotating the pen in my hand (and going a bit too fast.) Once I got my grip right and slowed down a bit, I didn’t run into any issues with railroading on my flex writing. You do have to be careful not to push the nib too far. This is not a wet noodle with 2mm line variation, but it can still get really good flex. The feel is quite similar to the medium flex nib that I’ve gone on my vintage Waterman’s Ideal #7. It lacks perhaps a touch of the snappy return you get with the vintage nibs, but the nib gives really good tactile feedback when you get close to pushing the flex too far. It’s easy to tell when you can go a bit further or you’ve gone too far on your flexing.

I love this pen. I initially thought it was going to be too big, but the more I write with it, the more perfect it feels in my hand. I like writing with this pen while I’m flex-writing. Aside from that, though, I find myself reaching for this pen for everything I write. I love the way that the heft of the pen helps to introduce a bit of a bounce to the writing, even when I’m not trying to flex. I love the generous ink flow. I love the rosewood ebonite, and the way it warms up in my hand over time.

I haven’t had a ton of time with this pen, so I will probably do a quick follow up review in a couple of months when I’ve had more time to get used to it. But so far, this is one of the best pens in my collection. I think the new Wahl-Eversharp did this one up right.

  • Glenn Higley

    Looks like a much better pen than the new versions of the Skyline of which I’d rather buy more of the originals, especially given the price. But then I tend to feel that way about most things – why buy a reproduction when for the same money you can have several fine examples of the real thing?

  • Sterling Wang

    That pen is beautiful! The ebonite really does look remarkably like wood.

    In regards to maintenance, Brian Gray of Edison Pen Co. covers a little bit in his video on the Beaumont Pneumatic Filler:

    I’m sure the same basic principles apply. Thank you for the video!

  • Paul Burberry

    Hey Matt. Great review of one of my dream pens. If I ever get the funds together I’ll have one. Apparently a lot of very early (I’m talking the founding days of Sailor and Pilot) Japanese pens had urushi covered ebonite feeds to deal with the ink flow required to produce the Japanese calligraphy of the day. My ancient Sailor eyedropper has a feed covered in black urushi. I think the best way to describe the action going on here is try pouring ink over sand paper, then pour the same ink over a sheet of glass and see which one moves faster (and flies off the sheet all over the table and floor). I think it’s that glass like surface of the urushi that allows the ink flow to keep up with the #8 Superflex nib. As for cleaning, I would imagine it being similar to the Sheaffer Touchdown, several cycles in a jar of clean water should do it.

  • Andrew Coon

    What is the msrp? Did I miss it?

    Where will this be for sale?

    • The only place they are for sale ATM is Wahl-Eversharp’s website. The pre-order price was $850, and a quick check of the website still has them at that price.

      • J. Norman Reid

        Papier Plume in New Orleans has them at $860.

  • Mikey Mazur

    Wow. I am not one for expensive pens mostly because I don’t make enough to afford them not that I don’t like them, but damn I WANT THIS ONE! That looks amazing and I always wanted to get a Sheaffer touchdown filler so the pneumatic filler is awesome. Thanks for the review Matt, I’ll just be over here drooling over the pictures for a while.

  • Matt Taylor

    That pneumatic filler really is quite an interesting filling system. I have a Sheaffer Imperial II Deluxe which the Touchdown filler which (as I have now learned from your review) is also a pneumatic filler. I agree, they are quite fun to use! As far as cleaning them however…not so much.

  • Andrew

    Love the pen, but what really got me is your taste in watches. The SARB017 isn’t something I’ve seen you wearing before, and I’m impressed.

    • Thanks. I got it a few months ago from Massdrop. I’m refusing to fall down the fine watch rabbit hole as well as the fine writing instrument rabbit hole. My retirement fund can’t take the added stress. 🙂

      • Andrew

        Good luck. A word of advice: don’t go on watch forums. Just don’t do it. 😉

  • Lez Cartwright

    PenPorn that’s all this pen is… Hahaha, Gordon Bennett, this is an absolute superbamundo writing rod of the gods.
    I’d love to have one of these. A presentation pen it is l agree but maybe you could suggest to Syd that a lesser box could be had for us impoverished ones? Possibly that would keep the price for the pen down a little bit for us, but OK, that may not be the objective.
    The gap in the tines was a bit surprising when I drooled over the stills, and equally surprising is your courage to adjust it.
    Thank you for another excellent video production and for your pen passion which for me does not merit any kind of apology re the DC Show.
    My very best wishes for 2016 and whatever happens, don’t let anything stop the pen habit you have.

  • Lez Cartwright

    Hiya Matt
    Will there be a follow up review??? I’ve just watched this yet again I love this pen, we know you are busy but please keep this in mind. Thanks yeraguddun.

  • Allen Whichard

    Just found and enjoyed your review of the “new” W.E. Deco Band. You mentioned several times that you planned a follow-up review. Did you ever happen to complete the follow-up review?
    By the way, your handwriting is very nice. You should be proud of that.
    Allen Whichard

    • I never did. (I’ve got such a long backlog of pens that I’m not sure I’m ever going to get to it. 🙂 I am planning on maybe doing one “Currently Inked” a month where I go back and revisit some of my early reviews and see if my opinion has changed.

      As for the WE Decoband, I love the pen. I like it now more than I did when I reviewed it. It’s not as flexy as I might have hoped, but the pen is a gorgeous writer, and is pretty darn flexy for a modern pen. I did have issue with the urushi flaking off the feed a little bit, but it hasn’t impacted performance at all.

      • Low Kian Seong

        Does it cause hand fatigue because of the hefty weight ?

        • For me, not really. I’ve largely trained myself to write with my whole arm, not just my fingers. And the larger diameter does help keep me from death-gripping the pen (which is a problem of mine.) So I can write for long stretches with it without any major fatigue issues. (In fact, I’m inking it up later on today!)